Hip-hop legend and lyrical powerhouse Ras Kass’ new album ‘LEOPARD EATS FACE’ is now available for a limited run vinyl and CD pre-order via BH. The digital version is out today on all digital streaming platforms. Full details in the BH store.
VINYL: LIMITED TO 250 COPIES AVAILABLE ON TRANSLUCENT RED VINYL.
CD: LIMITED TO 250 COPIES AVAILABLE AND FEATURES EXCLUSIVE 2 BONUS TRACKS (NOT AVAILABLE ON VINYL).
RAS KASS – LEOPARD EATS FACE
Leopard Eats Face is a scathing manifesto that reasserts Ras Kass as one of Hip-Hop’s sharpest pens and most uncompromising voices. Across 16 tracks, the album captures the essence of the past eight to ten years in American life by confronting industry hypocrisy, examining cultural cannibalism, offering spiritual insight, and dissecting Black radicalism— all while swinging haymakers with elite, unadulterated bars.
The album title offers metaphorical commentary on sociopolitical issues, particularly within the context of internet discourse. It suggests that people shouldn’t be surprised by the consequences of their actions or votes, as it implies a “you get what you ask for” scenario. It’s layered and intentionally accusatory, targeting cultural co-optation, and self-inflicted sabotage. Ras positions himself not just as a witness but a truth-teller amidst the wreckage.
“I said some harsh things [on this album] about certain people, including the West Coast, and certain individuals that I’ve been around. Everybody’s always so politically correct or trying to appease whoever’s popular. I felt like I just kind of said what I needed to get off my chest about this industry and about people I know, and even people I’m related to.” – Ras Kass.
Tracks like “Hit List” and “Set This Off” double down on this militant energy, skewering clout-chasers, industry plants, and media complacency with visceral precision. On “Little Italy”, Ras and IZI unpack the diasporic disconnect and America’s obsession with mafioso mythos, weaving in personal memory and global Black identity. Meanwhile, “I Got That”, featuring Inspectah Deck and Coast Contra, is pure verbal exhibition, a posse cut that balances generational torch-passing with undeniable swagger. The emotional core hits hardest on tracks like “Miss Me Yet?”, a mournful, complex reckoning with legacy, ego, and love lost, and “Latency”, a metaphysical spiral featuring Ab-Soul that explores spiritual delay, intellectual depth, and artistic resurrection.
Producers like Da Beatminerz, Amadeus360, Bud’dah, and Fredro Starr stitch together an aesthetic that’s dusty but luxurious—blending Boom-Bap Soul with West Coast sensibilities and avant-garde grit. The beats don’t chase trends; they hold space for the wordplay to land like gut punches. Interludes and samples add texture, grounding the album in both nostalgia and rebellion. It’s dense, brilliant, confrontational art made for listeners who don’t flinch when Hip-Hop reflects its rawest truths.